most go through their lives following a prepared script then come the last lines with surprise the last act’s read though now they want to ad lib lines must be read as written
aunt bea said have you ever noticed that what you call something alters our level of acceptance a bouquet of weeds is not as appealing as one of flowers a lesson all too soon forced upon children and we certainly are more supportive of freedom fighters than terrorists and you must admit national security agency sounds better than secret police so much for that rose by any other name thing
a small jar of stars sitting idly on a shelf once envied by all but now homeless never again to adorn the pages of future einsteins or little shakespeares feeling useless and alone tho crammed together like in a city slum peering out the glass upon the world that cannot recall the services once provided and the blood shed for that overpriced latte
the army issued coat metal plate and bolts in his back are the only reminders of regular meals he watches as you approach and toss a conscious coin into the guitar case then watches you blend into the upholstery of your beemer did you really believe he didn’t see that smirk the greater than thou one are you so vain that you believe you got where you are without the blood and toil of others go ahead do it again lip sync those emotions and words there but for the grace…
scattered here and there like the memories of the year are scraps of paper my recorded history stored for no good reason in boxes and drawers throughout the house boxes that no one will ever pullout to sort or read to be carried in mass to the dump or shredded by some distant family member who seeks their fortune in what is left behind in closets and jewelry boxes leaving behind the true wealth of my life for they have long forgotten “all that glisters is not gold”
The popular form of the expression is a corruption of a line in William Shakespeare‘s play, The Merchant of Venice, which uses the 17th century synonym “glisters”. The line comes from the secondary plot, the puzzle of Portia‘s boxes: (Act II – Scene VII – Prince of Morocco)